
Ma movie review: revenge is sour
A bargain-bin cockadoodie pseudo-Misery, a disgraceful waste of the brilliant Octavia Spencer. Has no interest in women’s pain and trauma even as it appropriates it for entertainment purposes.

A bargain-bin cockadoodie pseudo-Misery, a disgraceful waste of the brilliant Octavia Spencer. Has no interest in women’s pain and trauma even as it appropriates it for entertainment purposes.
He had been hanging in the theater for many years before he suddenly realized who he was, where he was, and what purpose he served…
A reader appears to have stumbled upon a bug at Patreon…

Joyful and rowdy, self-deprecating and vulnerable, absolutely electrifying as it deconstructs the sex-drugs-and-rock’n’-roll story. Taron Egerton is chills-inducingly good. Sheer cinematic magic.

Jill Magid directs documentary The Proposal, about her own performance-art project; more… [This post is for Patreon patrons only for the first month.]
How is it possible that I’ve never heard of this pioneering female filmmaker before? Oh, right: it’s because she was a female filmmaker.

Dominga Sotomayor Castillo writes and directs Chilean coming-of-age drama Too Late to Die Young; more… [This post is for Patreon patrons only for the first month.]

Pensively melancholy, this jagged, humane portrait of US Army whistleblower Chelsea Manning is a massive challenge to the notion of soldiering as a good way for a lost young person to find oneself.
…if you’re my Patreon patron, that is. (Only $1/mo to read this story and others!)

Two very different films, replete with emotionally engaging performances, examine the impact of the American death penalty from the large-scale legal and political to that of intimate personal grief.