Today’s question comes from reader Hank, who writes:
Considering Roland Emmerich and “Anonymous,” I thought you might have fun about hack directors trying to do something serious and ending up proving they’re a hack. We could compare this to Uwe Boll’s “Auschwitz.”
(Anonymous is, by the way, one of my worst films of 2011.)
So there it is: Which director cannot escape his hackitude no matter how he tries?
(If you have a suggestion for a QOTD, feel free to email me. Responses to this QOTD sent by email will be ignored; please post your responses here.)



















