
BASIC REPRESENTATION SCORE: 0
[no significant representation of girls/women]
FEMALE AGENCY/POWER/AUTHORITY SCORE: -13
THE MALE GAZE SCORE: 0
[no issues]
GENDER/SEXUALITY SCORE: -10
WILDCARD SCORE: -5
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
Eva Green’s character is literally mute here: her tongue was cut out by Indians. So even when her motivations (as a sidekick to the bad guy) get confused and even contradictory, we are left to guess what’s going on with her because she is unable to say anything that might explain what she’s about. Hey, it’s one way to keep women’s voices out of a movie. I’d give bonus points for originality, but this is not the kind of originality we need.
TOTAL SCORE: -28
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? No (does not impact scoring)
BOTTOM LINE: Does your movie’s plot need a nudge? Male protagonist and male villain need some feels? Why not try rape? Oh dear, I don’t mean rape the guys. Rape some women nearby. It makes good men angry and bad men happy (that’s how you know they’re bad). It might make women feel something, but who cares: they’re only women.
Click here for the ongoing ranking of 2015’s films for female representation.
NOTE: This is not a “review” of The Salvation! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of The Salvation.
See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)
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