Crank (review)

Is it possible that a movie so utterly without redemptive value, so completely, pointlessly uncalled for, can also be, you know, kinda fun?

The Quiet (review)

Cuthbert picked a poor film to get behind as star and producer: it mistakes luridness for tragedy and monotony for sophistication.

blogging about Worldcon

Just an FYI: I’m blogging about my trip to Worldcon, the big science fiction convention (in Anaheim this year), over at Geek Philosophy.

Idlewild (review)

Fantasy like we like our movies to be, a cinematic phantasmagoria of a dream version of the past, lush, rich, ridiculously romantic…