
Oscar Nominated Animated Shorts (88th Academy Awards) review
The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.

Michael Bay propagandizes for a right-wing idea of “true America,” seething with disdain for anyone who isn’t a former elite soldier turned mercenary.

The King’s Cross Pond got an extra added bit of art: a diving board made entirely of light.

If not for the title, we’d have no clue at all as to the child protagonist’s gender. Which makes it all the more frustrating that a gender has been imposed.

Paints an impressionistic canvas of unease and disquiet, of hope and wonder, filled with glorious music. Magical… though sometimes it’s black magic.

I don’t know how the artist got so precise with the color.

A female protagonist in a position of authority, in which she is allowed the space to be professional and be heeded by men, is a very good thing.

A protagonist who revels in the sheer cynicism of her job gets a sentimental redemption out of nowhere; Sandra Bullock’s comedic chops are undercut by it.

Women wait, and wail, while men struggle to survive and other men struggle to rescue them.