
Where Are the Women? Max
A boy and his dog. And then another boy and the dog. And even the damn dog is male.

A boy and his dog. And then another boy and the dog. And even the damn dog is male.

Jingoistic propaganda and heart-tugging cornball melodrama about a dog with PTSD. It’s how we are Enduring Freedom. God bless America.

Defies the clichés with which women are treated onscreen by turning the tropes of exploitation into expressions of a woman’s ownership of her sexuality.

It shouldn’t be radical to see a movie treat a girl with this level of appreciation and understanding of her most intimate inner self. Yet it is.

Sleeping on the night bus, reflected in the window.

This is a case of a film doing the absolute minimum it needs to in order not to be considered outright sexist.

There isn’t an authentic human motivation or emotion to be found here. The bar has been raised too high on comic-book movies for us to accept junk like this.

A fight for supremacy for the title of most superlative kebab to be found along the 243 bus’s route.

This is (mostly) a great example of positive depiction of women: as people with authority, with strong opinions, with powerful personalities.

Riveting, terrifying, and unafraid to confront its own quiet horror. One of the most important movies ever about nuclear weapons and modern governance.