
The Gallows movie review: hang it high
Unpleasant characters do things that make no sense in “found footage” clearly edited together from multiple sources. Negligent storytelling at its worst.

Unpleasant characters do things that make no sense in “found footage” clearly edited together from multiple sources. Negligent storytelling at its worst.

Hangin’ with the fishes…

“Luke Howard, Namer of Clouds.” Could that be the most idyllic job ever?

One complex female character in the ensemble, driven by career ambitions as well as romantic ones, saves the film from scoring more poorly than it does.

For once, a movie based on a Nicholas Sparks book is populated by relatively realistic people dealing with relationship conflict in realistic ways.

Guilt, grief, and forgiveness get wrapped up in a Twilight Zone-ish shroud of fate in this downbeat trifle of a crime drama.

“Visible to everyone who comes to discuss jobs, younger and older…” [This post is not behind the paywall.]

For some reason, “glass of drink” makes me think of “bag of holding.”

Its female protagonist and her female sidekick may be primarily defined as grieving mothers, but they do something with their grief.

When movies like this star the likes of Liam Neeson, they open on 3,000 screens. It’s difficult not to see racism and sexism in the disparity.