
12 Strong movie review: America enters the “graveyard of empires”
Tense but never sensationalized action adventure about the first post–9/11 US foray into Afghanistan, an extraordinary culture clash and mashup of medieval and modern technologies.

Tense but never sensationalized action adventure about the first post–9/11 US foray into Afghanistan, an extraordinary culture clash and mashup of medieval and modern technologies.

The Auto-Tuned boy-band version of the apocalypse. You will forgive that every plot point that isn’t a cliché is in fact a plot hole because the hero is so dreamy and impossibly perfect, right?

It has a spectacular opening sequence, and features a few minor tweaks to alien-invasion tropes. But the teen romance at its center reduces this to a very inconsequential first contact.

A lazy, insulting xerox of better movies about Liam Neeson growling into cell phones at enigmatic villains. Devoid of tension and mystery, and rife with plotholes that derail the trip.

Trolls the viewer and condescends to genre fans. A smirking, tone-deaf parable about racism that is itself racist, including about its made-up orcs and elves.

Culturally clueless cinematic vomit, a cynical undertaking embracing the most diminishing clichés it can apply to its characters. Low stakes, and low humor.

Upends expectations, demythologizes the mythos, and takes an iconic series in a bold new direction with a story full of humor, courage, and dazzling imagery.

Goofy, charming, faithful to its sweet source material, and all while advancing the standard “Be yourself” message with fresh challenges to gender expectations.

The cinematic equivalent of Trump and Brexit as awfulness brought upon ourselves. Incoherent and cheap-looking. There are no heroes, and everything is broken.

Familiar in its overall storytelling arcs about risktaking and redemption, but also a sincere tribute to our new firefighting heroes for a warmer planet.