
Breathe movie review: paralyzed but determined to be mobile (LFF 2017)
A romance and a real-life adventure, full of life-and-death peril and unexpected cheerful good humor, about a pioneer in disability rights and dignity.

A romance and a real-life adventure, full of life-and-death peril and unexpected cheerful good humor, about a pioneer in disability rights and dignity.

Style and humor galore, and a hugely entertaining performance from Tom Cruise. But should a true story of immense governmental corruption be quite this fun?

Save us from male artists who think they are dangerously, uniquely innovative. This stew of toxic masculinity and CGI-cartoon violence is nothing but tediously mundane.

It’s tormented hotheads all around with a hero and villain who are almost indistinguishable and same-old spy stuff racing to a seen-it, been-there ticking-clock finale.

The Goonies, Stand by Me, and Poltergeist went into a blender with a pinch of E.T. and John Hughes to smush into a mess of retro 80s mush.

Moody, atmospheric, even beautiful in its grimness; a medieval adventure unlike any we’ve seen before, with a sharp attention to psychological and moral realism.

Cheesy Euro ballerina-porn cartoon is full of dated animation, cringeworthy attempts at humor, bizarre anachronisms, and a terrible message for little kids.

There is barely an original thought in this wackadoodle sci-fi panto, just a lot of tiresome passé attitudes skidding among bug-eyed-monster set dressing.

Sweet, subversive, and absolutely hilarious, at once a snarky superhero sendup and an unironically joyful celebration of friendship and imagination.

Primal and exhilarating, full of dread and tension. Drops us right into the chaos of war to tell an intimate story about fear and intensity of purpose.