
X-Men: Days of Future Past movie review: time for hope
With its time-twisting plot, sci-fi soapiness, powerful humanism, and to-die-for cast, this is the summer blockbuster done with elegance and heart.

With its time-twisting plot, sci-fi soapiness, powerful humanism, and to-die-for cast, this is the summer blockbuster done with elegance and heart.

It’s nowhere near as blackly funny as it wants to be, but Thomas Haden Church is strangely compelling as a man befuddled by the vagaries of fate.

Kellan Lutz is the demigod’s density in Renny Harlin’s MST3K-ready retelling of the classical legend. Think Jesus with muscles, by the power of Greyskull.

The jokes are as creaky as the aching bunions and bad backs onscreen, but Emma Thompson and Pierce Brosnan are incandescent together.

Romantic in the grandest sense, a visceral and hypnotic experience of idealistic aspirations set against the desolate beauty and danger of the Outback.

No, it’s not wildly different than other science fiction, hero’s journey, and adventure movies. Sometimes we call such stories archetypal. Mythic, even.

This is what passes for a children’s movie these days: a 1950s sitcom drawn in pretty tropical CGI colors with a few mostly forgettable songs tossed in.

A handsome movie in many ways, but it feels like an unpolished first draft, one that can’t quite decide how fantastical it wants to be.

A Biblical action disaster fantasy epic that is completely bonkers, endlessly entertaining, and actually religious in that inspiring-and-instructional way.

Stuns me with its scathing commentary on the real world today, wrapped up in what is some of the most delicious, most comic-booky fantasy ever.