‘Doctor Who’ blogging: “A Christmas Carol”
Doctor Who has been doing amazing things with TV since 2005, but this may be the best example yet of how gonzo and how simultaneously emotionally satisfying TV can be these days.
Doctor Who has been doing amazing things with TV since 2005, but this may be the best example yet of how gonzo and how simultaneously emotionally satisfying TV can be these days.
If you’ve been possessed of a burning desire to behold Jack Black’s belly flab in 3D, then I am delighted to announce that your moment has arrived. What’s that? You say it’s Black’s buttcrack you crave the sight of, rendered in three glorious dimensions? This, my friend, is your lucky day.
There’s a sense of something great just beyond the grasp of the Coen Brothers, something that they may not even be aware of, hanging over this elegant yet somehow vaguely unfinished film.
Who knew the Hollywood Foreign Press Association had such a sense of humor? A nomination for Best Motion Picture, Musical or Comedy, for The Tourist? Unless… No… They can’t mean “Inadvertent Comedy,” can they?
This totally superfluous and eminently forgettable sequel to the groundbreaking 1982 flick Tron will make a bloody fortune, not because it embodies any qualities deserving of such, but out of compelling nostalgia and, well, not much else.

You simply need to see this to believe that anyone would conceive of such an outlandishly demented Christmas fantasy. In playing with the creepy roots of the story of Santa, Rare Exports finds the grim awfulness in the supposedly pleasant fantasy…
“Sunny with a chance of creatures” could well be the weather report from this world, one not too far removed from our own, in one of the most startling movies of our new DIY filmmaking culture.
More like Voyage of the Yawn Treader, actually. Little kids will surely find this collection of fantastical geegaws enthralling — look, a talking mouse! hey, a minotaur! — but as a grownup fan of the magical and the mysterious, I was almost totally bored by this third, and perhaps most tryingly pious, installment in C.S. Lewis’s fanciful spin on Christian mythology.
You already know the score — duh da-duh-da-duh! duh da-duh-da-duh! — but in case you’ve forgotten, The Nutcracker in 3D will attempt to mainline it into your brain, fuel-injecting sugar-plum fairy juice into your festivus lobe at the drop of, um, a sugar plum. If you think that’s a horrendously mixed metaphor, it’s got nothing on this polar-express train wreck…
Between the title change and writing in a male character who appeared to be taking over the film, Disney didn’t seem at that interested in making a Rapunzel film that was actually about Rapunzel. But I should have trusted. Because if there’s one thing Disney has in spades — besides pink princesses — it is a capability to transform simple cartoons into cinematic magic.