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I’m almost entirely sure that no one who has not read The Deathly Hallows will be able to grasp what’s going on. The film is damn nigh impenetrable without the background of the novel, and all the previous novels in the series. It was almost impenetrable to me, who has read all the books, at least on an emotional level.
It’s weird to look back at ‘Genesis of Daleks’ now and know that the first time I saw this — it would have been back in the early 1980s — I had no idea what the hell a Dalek was.
I come to you with all honest sincerity and humility to say that I cannot, for the life of me, tell you what the hell this damn movie is about.
The bizarre non sequiturs that pass for jokes — such as the golf-playing goose who really, really hates cupcakes — make the poop jokes sound like wit.
There is a sorry tradition among children’s movies of late that dictates that bratty kids are adorable…
There’s something ridiculously and deeply sad about what Eat Pray Love reveals about the deprived lives American women lead…
At the behest of several readers who appear to believe they know my taste better than I know it, and also in an attempt to figure out just what the hell M. Night Shyamalan was thinking with his The Last Airbender, I watched the entire first season of Nickelodeon’s pseudo-anime series Avatar: The Last Airbender.
Made of spoilers. Don’t read until you’ve seen the episode unless you don’t care to have it spoiled for you.
Made of spoilers. Don’t read until you’ve seen the episode unless you don’t care to have it spoiled for you.
Lo and behold and WTF, here’s adorkable Jay Baruchel getting molested by dancing mops as the literal replication of a 70-year-old cartoon forces its way into a movie where it clashes tonally, interrupts the plot, and just plain makes no sense.
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