My Fair Lady (review)

My Fair Lady — another musical from Gigi creators Lerner and Loewe — is a charming and amusing satire on the absurdity of rigid class distinctions such as were to be found in turn-of-the-century London.

West Side Story (review)

West Side Story is a brilliant updating of Shakespeare’s Romeo and Juliet, the two warring families of Verona now two streets gangs of kids from two different immigrant cultures coexisting in one New York City neighborhood.

The Apartment (review)

Only a man could have written this movie (it was Billy Wilder, and he directed, too). And only men could have written all the glowing reviews of The Apartment that I’ve found both online and off. The Apartment is a perfect demonstration of why ‘nice guys’ get a bad rap from women, but that seems to go right over the head of all those men praising it.

Ben-Hur (review)

Make no mistake — Ben-Hur is not great art. But it is great fun. Judah Ben-Hur (Charlton Heston), a contemporary of Jesus, is a Jewish prince in Roman-ruled Judea newly reunited with his boyhood friend Messala (Stephen Boyd). Messala, a Roman, has just returned from the empire’s capital to reign as tribune, a sort of lieutenant governor, of Judea. These old pals now find themselves separated by politics — one is the ruler, the other the ruled.

On the Waterfront (review)

A powerful drama with the flavor of Shakespearean tragedy, On the Waterfront is a timeless story of corruption and those who fight it. Terry Malloy (a mesmerizing Marlon Brando) is a former boxer who works as a goon for union racketeers running the docks in the harbors of New York.

From Here to Eternity (review)

No, sorry, I don’t get it. From Here to Eternity is supposed to be this great, tragic melodrama, but I just don’t see it. As far as I can tell, every dumb guy in this movie has only himself to blame for all the stupid things that happen to him.

An American in Paris (review)

As if there was any doubt that An American in Paris was nothing but an excuse for some fabulous singing and dancing, the film wraps up with a spectacular 18-minute ballet sequence. It’s got only the vaguest connection to plot or character, but it’s a gorgeous piece of filmmaking.

All About Eve (review)

From the snarky opening scene, I knew I was gonna love All About Eve. Written and directed by Joseph L. Mankiewicz, this is perhaps the first film with an attitude we today would call modern.