
Anomalisa movie review: maximal mundanity
An astonishing, even perception-altering experience that represents a startling use of animation to tell a story that no live-action film could tell.

An astonishing, even perception-altering experience that represents a startling use of animation to tell a story that no live-action film could tell.

Instantly forgettable but inoffensive fluff… you know, for kids. And “inoffensive” is better than can be said for many movies aimed at children.

Enchanting, startling; a rare story about a girl at a precarious age. Full of that exquisite Studio Ghibli sorcery that captures the beauty of the ordinary.

“A Girl in the River” masterfully portrays a culture that justifies killing women, its rage subsumed by a dispiriting account of how its customs are perpetuated.

The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

Paints an impressionistic canvas of unease and disquiet, of hope and wonder, filled with glorious music. Magical… though sometimes it’s black magic.

Of all the potential Charlie Brown movies Hollywood might have made, this might be the Charlie Brown-iest. That’s not necessarily a good thing.

Shamefully banal; such a confused mess that I cannot even figure out what the title is supposed to mean. A slap in the face to Pixar fans after Inside Out.

The barrage of nonstop sitcom idiocy is nigh on unendurable. A father plotting against his daughter as touching and uplifting? Way worse.

There is joy and wonder in this marvelous mounting of a human mind, and a thrilling audacity in how it dares at such a strange and impossible thing.