
Radio Free Albemuth movie rating: red light
A too-literal adaptation of Philip K. Dick’s paranoid science fiction fantasy lacks the atmosphere and human feeling it demands to work on any level.

A too-literal adaptation of Philip K. Dick’s paranoid science fiction fantasy lacks the atmosphere and human feeling it demands to work on any level.

Confused suspense drama starts out gripping and descends into a moral muddle that a very good performance by Michael C. Hall cannot quite overcome.

An absolute delight, even better than the first film; a gorgeously animated ode to sticking to your principles in the face of ultimate adversity.

Jake Gyllenhaal meets his doppelgänger — or maybe it’s also him — and they argue over whether they are secretly fucking each other’s female property.

Yes, it’s a teenaged girl’s romantic fantasy. And some of it might be in a secret code for young women. Imagine that.

The subtle veil of horror draped over things we take for granted as good and wonderful aspects of humanity is deeply unsettling…

You’d think any movie that an all-powerful deity had a hand in would be awesome, right? Turns out, not so much. There’s barely even a story here.

A witty, clever, character-driven bit of science fiction wonderfulness, full of suspense, surprise, tension, and an unexpected poignancy.

There’s delicious movie-movie elegance in the exotic locales and the period dress, but not much tension to be found in the murderous misadventures on offer.

If O. Henry and Edgar Allan Poe collaborated on a love story, it might look something like this juicy bit of ironic gothic romance.