
cult classic film virgin: Sid & Nancy
Riveting and repulsive, with a claustrophobic perspective that mirrors its subjects: all id, all in the moment. But it’s also shallow, all on the surface.

Riveting and repulsive, with a claustrophobic perspective that mirrors its subjects: all id, all in the moment. But it’s also shallow, all on the surface.

A comedy only in the bleakest way, satire only in the sense that the whole world has become a parody of itself. Appalling and amusing in equal measure.

Filtering other people’s stories through the eyes of white men is tedious and offensive, and it feels like a desperate hedge against fresh perspectives.

“Less Ed and Lorraine” and “more cheese and cardboard” is precisely the last direction a sequel to the classy original should have gone in. Yet here we are.

Told with a lovely romantic sweep and full of raw, honest emotion, this is a gay love story that’s also just a great love story, full stop. Yay.

When FFJ sticks to farce, it works wonderfully, like something P.G. Wodehouse might have loved. But the longer it goes on, the more maudlin it gets.

A fantasy about Miles Davis’s life and music; loose, free-flowing, a kind of cinematic jazz. An astonishingly assured directorial debut from Don Cheadle.

A bitter feminist fairy tale about a woman betrayed by love and trust and crafted by culture to be vulnerable to the charms of a con-artist husband.

Intense, unconventional, often uncomfortable portrait of Beach Boys leader Brian Wilson that transcends the typical clichés about madness and creativity.

A sitcom about old men creaking along the Appalachian Trail, reminiscing about slutty girls, and maybe having a stroke at any moment. You know, for fun.