Doomsdays review (LOCO London Comedy Film Festival)
I see the harbingers of doom in this “pre-apocalyptic comedy,” but there’s nothing actually funny about it.
black comedy
The Wolf of Wall Street review: legitimate businessman
A debauched end-of-empire horror story disguised as an outrageous comedy, with remarkable performances from Leonardo DiCaprio and Jonah Hill.
Anchorman 2: The Legend Continues review: how news got broken
Far from perfect, but its humor is nearly Monty Python-esque, much more deliciously absurd and creatively bizarre than its predecessor.
American Hustle review: the humor, it burns
Bursting with insanely engaging characters who are impossibly real and impossibly ridiculous whose stories you don’t ever want to end.
Dom Hemingway review
Jude Law is wonderfully deranged and utterly plausible as a rage-filled moron, but the movie leaves him adrift amongst unrealized satire…
Computer Chess movie review (London Film Festival)
Dryly humorous and wonderfully weird, this is a preternaturally mundane evocation of early 80s nerdery and an almost scary peek at the history of AI.
All Cheerleaders Die review (London Film Festival)
Twists the high-school revenge story into feminist black magic.
The Thick of It review
My ears are bleeding from Malcolm Tucker’s volcano of hilariously creative vulgarity; he is to profanity what Shakespeare is to poetry.
Pain and Gain review: American nightmare
A bleak, bitter, wicked pleasure that holds up the underpinnings of modern America — self-help, Jesus, and violence — for ridicule.
Red 2 review: global positioning
Smart, breezy spy action, with an of-the-moment vibe that takes it post-post-9/11 and into the Wikileaks era of global politics.
