handcrafted by maryann johanson (human) | 100% free of AIs and algorithms
A self-indulgent, faux-woke mashup of noir crime, black comedy, and Tarantino-esque ultraviolence. Some great performances, including a spectacular feature debut from Cynthia Erivo; shame they’re so wasted.
A dull, dated comic-book clunker that is somehow even smaller and lesser than the sum of its noisy, junky, clichéd bits. So perfunctory that it saps even its excellent cast of all their charisma.
Witty, tense, and thrilling, but also cheerful, escapist, and fun, this is a perfect cinematic cozy mystery, kept on an even keel by the irresistibly charming Anna Kendrick. Merrily absurd pure entertainment.
Like a black comedy from a dystopia, except the dystopia is real and we are living in it. Chloë Grace Moretz is better than ever as a teen who discovers she may not be able to pray her gay away.
A dark, bitter bonbon of an anti-romcom: so marvelously unromantic, so beautifully catty and witty. Keanu Reeves and Winona Ryder were born to play these roles.
Ugly, sordid, and proud of it, with less than no justification. “Meet the Feebles meets Who Framed Roger Rabbit” conveys a far greater sense of dignity, cohesion, and purpose than this witness movie deserves.
Breezy fun that sticks a shiv into Hollywood’s — and the larger culture’s — disdain for women. Wonderfully subtle comic performances from a great cast having a ball make for a perfectly suitable light diversion from the world right now.
This is the death of the comic-book movie. Or it should be. The savage, inhumane nihilism here says, Yup, comics haters are right: this is dangerous nonsense with no morality or redeeming qualities.
What starts out as a genial drawing-room satire on class and snobbery soon turns to a sly romantic comedy about the fantasy of romance and the crushing expectations placed on women.
A brilliant, if demented, concept could have been The Purge for parenthood, but it is inadequately explored, and then abruptly dropped by a sudden ending. The entire third act of the film is missing.
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