X-Men: Days of Future Past movie review: time for hope
With its time-twisting plot, sci-fi soapiness, powerful humanism, and to-die-for cast, this is the summer blockbuster done with elegance and heart.
comic book
The Amazing Spider-Man 2 review: black and white and web all over
Suffers badly by comparison with the cogent, witty Avengers flicks. This feels like a campy Saturday-morning cartoon left over from the 1970s.
Captain America: The Winter Soldier review: politics in our peanut butter
Stuns me with its scathing commentary on the real world today, wrapped up in what is some of the most delicious, most comic-booky fantasy ever.
I, Frankenstein review: beware, for it is pointless
It’s alive! In a technical sense: images flicker on the screen, etc. But it is a soulless, unholy monstrosity. Behold: the movie without a protagonist!
We Are the Best! (Vi är bäst!) movie review (LOCO London Comedy Film Festival)
An exuberant rock ’n’ roll comedy in which three of the most memorable movie teens ever embrace their adolescent angst and give it screaming voice.
Thor: The Dark World review: Viking with a chance of wormholes
Think heavy-metal Lord of the Rings. With wormholes. It’s completely mad and kind of awesome.
Blue Is the Warmest Color review (London Film Festival)
There’s nothing particularly surprising here. Not even the rather tediously obvious 15-minute all-nude lesbian fuckfest.
Bounty Killer review
The genre equivalent of soft-core porn: it doesn’t care how strained and derivative it is as long as it is delivering flying bullets, fast cars, and closeups on women’s sashaying asses.
2 Guns review: buddy cops, slight of hand
Oddly took some advice not intended for movies: “Be specific but not memorable. Be funny but don’t make ’em laugh.”
The Extraordinary Adventures of Adèle Blanc-Sec review: gloriously goofy
This is what comic-book movies look like when they’re not blown up into $200 million monstrosities: friendly and eldritch and kinda cosy even in the middle of outrageous escapades. (new DVD US)
