
Girls Lost (Pojkarna) movie review: girls found
A beautiful film with a wonderful young cast that flows with sinister sorcery and tender sympathy for the physical and emotional upheavals of adolescence.

A beautiful film with a wonderful young cast that flows with sinister sorcery and tender sympathy for the physical and emotional upheavals of adolescence.

A slow-burn battle between a woman and the developers trying to drive her from her home is a melancholy meditation on aging, memory, and family.

Dead and absent women cause a man to have feels, but in an ethereal way, you know, with “artistic” female nudity and nonsensical pseudophilosophical dialogue.

Lefty, loud, proud (and heartbreaking and infuriating with it). Rages against systems once meant to help people that have become machines intended to crush them.

An imperfect adaptation of an uncinematic novel is nevertheless a challenging portrait of a woman as deeply screwed up as usually only men get to be onscreen.

A tough, simple story about a foster kid whose path to finding a family and a home is not an easy one. There are no platitudes here, just bittersweet truth.

Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

A startling portrait of girls at risk, with a magnificent performance by gonna-be-a-star Letitia Wright. Lovely, moving, utterly unsentimental.

Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

Immensely intense and suspenseful. Disaster filmmaking at its most gripping, yet there is nothing in the least bit exploitive or sensationalized about it.