
Trumbo movie review: liberal Hollywood? ha!
Marvelously balances the silly and the solemn. There’s almost a whiff of the Coen-esque in its slick sharpness, in its whistling past the graveyard.

Marvelously balances the silly and the solemn. There’s almost a whiff of the Coen-esque in its slick sharpness, in its whistling past the graveyard.

The traditional Hollywood disaster flick goes to Norway, and is grim and gripping around all the time-honored ridiculous clichés crammed into it.

One of the smartest and most enthralling SF film series ever breaks more new ground as it ends on notes as emotional and provocative as they are explosive.

It’s all rather implausible and hugely melodramatic as it milks ham-fisted histrionics from high soap opera. A pitiable excuse for a movie.

Beautifully portrays a very universal experience — not only of immigration but of growing up — via an elegantly nuanced performance by Saoirse Ronan.

A fascinating look at the pitfalls of modern journalism, and a compelling portrait of a journalist who paid a high price for letting them trip her up.

A celebration of male obnoxiousness that goes warm and fuzzy over its temperamental manchild as he finally learns to impersonate a decent human being. What?

Prophecy and politics are intertwined in a realm where strange and beautiful imagery takes on dark meaning, and violence and male posturing rules all.

Call this a revisionist feminist postapocalyptic historical western home-invasion horror drama. But even that doesn’t quite do it justice.

An earnest and passionate film, based on a true story that is enraging yet inspiring, that is essential viewing for anyone concerned with women’s rights.