
Experimenter movie review: the subject is you
A creepy-cool vibe of constructed cinematic artificiality echoes the illusory nature of Stanley Milgram’s notorious experiment into human behavior.

A creepy-cool vibe of constructed cinematic artificiality echoes the illusory nature of Stanley Milgram’s notorious experiment into human behavior.

A compelling character study of two intriguingly flawed people, the sort of richly observed drama that has gotten all but pushed out of mainstream cinema.

Pretty much strictly for fans of Ben Foster and Chris O’Dowd, who are both superb here. Probably not for fans of Lance Armstrong (if he still has any left).

An excellent complement to the novel, simplifying the science without dumbing it down yet retaining the suspense and urgency of its interplanetary stranding.

I wish I could have stopped the film — numerous times — simply to give myself a chance to step back from an emotional precipice of horror and tension.

A gripping story from a place where women are less than second-class citizens that insists that they are, in fact, people who deserve to live as they please.

A horror story of today’s economy, of America’s heartless culture in which maximizing profit is all. Michael Shannon brings his usual terrifying intensity.

The first feature film ever about the women who fought for their right to vote is glorious. It is angry and passionate and defiant. It is essential.

The “War on Drugs” has never felt more like an actual war in this brutal, scathing condemnation of the lawlessness of the battle… on the “good guys” side.

A smart, wistful exploration of art, ambition, and celebrity, with appealingly melancholic performances by Robert Pattinson and Dane DeHaan.