
Return to Sender movie review: yes, return to sender
For almost the entire running time of this movie, we have no idea what it is about. What is it trying to say? What sort of story is it trying to tell?

For almost the entire running time of this movie, we have no idea what it is about. What is it trying to say? What sort of story is it trying to tell?

A slow burn mystery in which the secrets aren’t so much about the crimes it explores but truths of women’s emotional lives that are too often ignored.

There are important issues running through this, but the film forgets to be sufficiently engaging in the course of being Significant.

A compassionate, distressing tale of a woman’s determination to find her own purpose, full of heartbreaking moments that pile up until they’re unbearable.

Two films about poor black teen girls offer harrowing — and very universal — portraits of how our culture tries to crush the spirit out of all girls.

A pleasant and undemanding romantic drama that takes great care not to upset you unduly with strong emotion or embarrassing passion.

Ridiculously romantic in all the best ways, and more modern, more progressive, and even just plain more grownup that half the movies thrown at us today.

Julianne Moore’s terror at watching her own emotional and intellectual life slip away is palpable, and much scarier to me than any slasher movie.

Not without problems, but continues the Avengers tradition of big, bold blockbusters that don’t need to toss away thoughtfulness to remain pure popcorn fun.

Overly complicated yet somehow anticlimactic, and constructed more with pat Hollywood pomp rather than the authentic grit it demands.