
A Touch of Sin movie review: people’s uprising
It’s banned in China for its savage criticism of that nation’s economic and social policies. But its horrors look awfully familiar to us in the West, too.

It’s banned in China for its savage criticism of that nation’s economic and social policies. But its horrors look awfully familiar to us in the West, too.

If O. Henry and Edgar Allan Poe collaborated on a love story, it might look something like this juicy bit of ironic gothic romance.

Atom Egoyan is all over the real-life case of American injustice surrounding the West Memphis Three. But sadly, I’m not sure why.

Feels like a cheap action flick and plays like an unintentional call to end drugs prohibition and the idiotic war between cartels and law enforcement.

Powerful Japanese film about children switched at birth who challenge the love and hope of their rediscovered parents. Beautiful and heartbreaking.

It’s nowhere near as blackly funny as it wants to be, but Thomas Haden Church is strangely compelling as a man befuddled by the vagaries of fate.

A drama of conscience and passion, a finely observed portrait of a woman driven to make a difference in the world, even as it hurts those she loves.

A lovely, intimate drama of family dynamics under stress, offering an intriguing peek into previously unseen Singaporean middle-class life.

Preposterous and charmless, this heist flick purports to be based on a true story and hopes to invoke a Robin Hood vibe, but I’m not buying any of it.

A riveting Southern gothic revenge thriller that seems to be over in the first 20 minutes, and then finds horrific new places to take you.