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Gentle, charming dramedy about pals in middle-of-nowhere India making amateur movies. The giddy glee in this winsome portrait of geeky passion and enduring friendship is all-around infectious.
Immerse yourself in pure unalloyed joy with a sweet, deceptively simple carbon-silicon platonic romance. Even the poignant bittersweetness of this emotional roller coaster is affirming and uplifting.
Writer-director John Krasinski’s absolute desperation to whip up magical whimsy utterly fails. No matter how he tries to force enchantment into existence, this is more fever dream than flight of fancy.
The pleasures of this black comedy about London real estate and the hypocrisies of posh professionals lie in the terrific cast, especially Shirley Henderson, embodying entertainingly horrible people.
An upending of the period costume drama that’s cheerfully indecent, gloriously naughty, and full of female rage at the expectations women operate under. Funny as hell and bursting with impudent energy.
Nicolas Cage is comedic in a dry, subtle, nakedly painful way, playing with his “Cage rage” persona; his performance is profoundly moving. I only wish the film was more deserving of what he’s doing.
A singular portrait of a girl full of verve and personality. An astonishing feature debut from Charlotte Regan, with a film as cheeky and imaginative, as pleasantly messy and chaotic, as its heroine.
Traditional folk music and beautifully animated mythic motifs may be rightfully validating for homegrown Ukrainian audiences, but there’s little else beyond that novelty to capture others’ imagination.
Lily James and Shazad Latif? Delightful, even when they’re not together and sparking. No surprise where they’re going, but this amiable rom-com gets them there with genuine smarts and real sentiment.
Do you find Channing Tatum dance-grinding appealing? There’s not much of that here. There’s just the tedious grinding of dragging out yet another sequel in the face of diminishing franchise returns.
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