
Oscar Nominated Animated Shorts (88th Academy Awards) review
The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

Paints an impressionistic canvas of unease and disquiet, of hope and wonder, filled with glorious music. Magical… though sometimes it’s black magic.

Simplistic, but a charming and child-friendly introduction to our cousins in the wild that no zoo could provide, with a monkey heroine whom kids will cheer.

Charts a path to a future that refuses to get mired in nostalgia. Yet all the Star Wars notes are here, remixed into a glorious new arrangement.

Of all the potential Charlie Brown movies Hollywood might have made, this might be the Charlie Brown-iest. That’s not necessarily a good thing.

Shamefully banal; such a confused mess that I cannot even figure out what the title is supposed to mean. A slap in the face to Pixar fans after Inside Out.

More theme-park attraction than movie, and paradoxically distastefully self-congratulatory about the Goosebumps phenomenon and insulting toward its author.

The barrage of nonstop sitcom idiocy is nigh on unendurable. A father plotting against his daughter as touching and uplifting? Way worse.

An embarrassingly empty pastiche of numerous beloved action blockbusters, all frenetic action and soulless mishmashes of fantasy imagery.

This desperately terrible children’s fantasy is an unpleasant mishmash of dated slapstick, unwittingly sinister adventure, and icky magic.