
Ernest & Celestine review: bear and mouse are friends
Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.

Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.

You’ve seen this all before — it’s Toy Story meets The Matrix — just not done in Legos.

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

An exuberant rock ’n’ roll comedy in which three of the most memorable movie teens ever embrace their adolescent angst and give it screaming voice.

Sub-vaudeville 1950s sitcom humor and a horrifically dated message about boys as heroes and girls as the heroes’ property. You know, for kids!

The showstopping central musical number is a glorious anthem to female power and ability… and so, in fact, is the whole wonderful movie. Disney is finally getting it. (new DVD/VOD US/Can)

Misses more marks than it attempts to hit, but there’s a refreshing sweetness to this child’s-eye view of grief and tragedy.

“Good” for nothing but the electronic babysitting of toddlers and fomenting consumer desire in impressionable children for the new line of made-in-China Dusty Crophopper extruded plastic. (new DVD/VOD US/Can)

Spectacularly mediocre fantasy junk food, perfectly inoffensive for youngsters but too featherweight for adult genre fans.

Joyously warm and gentle… though perhaps too gentle to be entirely satisfying.