The Wizard of Oz (review)
I can’t imagine my childhood without this movie…
I can’t imagine my childhood without this movie…

This is a geeky rehashing of The Phantom Menace, after a summer of six viewings of the movie and endless debates and discussions with other fans and friends in person and via e-mail…
What can I possibly say about *Star Wars* that hasn’t already been said a hundred times? George Lucas’s modern fairy tale must be one of the most discussed, most analyzed films of the century…

Honestly, I’d pay cash money to see either Liam Neeson or Ewan McGregor on his own read from the phone book, and the two of them together is almost too delicious to bear.
So this chick, right, she breaks into these guys’ house, and, like, *cleans* it for them…
I saw a rerelease of *Fantasia* in Radio City Music Hall when I was probably 6 or 7, and the ‘Night on Bald Mountain’ sequence scared the bejeezus out of me. It still does.
I was not looking forward to watching Paulie, expecting the usual sitcomish antics that seem to pass for family viewing these days, so I was delighted to find an old-fashioned — in the best way — kind of movie. Disney used to make movies like this: uncynical but with a bit of an edge, wholesome without making you want to gag, sweet without sending you into a diabetic coma. Before Disney’s live action movies sunk to the level of a UPN sitcom, you could count on family films like Paulie (a Dreamworks release) to allow the bad guy (here, the lab director played by Bruce Davison) to be redeemed simply by witnessing an unselfish act, and to let you bawl your eyes out without feeling silly as only sentiment animal stories can.
A recent episode of Showtime’s Stargate SG-1 featured this delightful line: ‘We’re afraid you’re gonna dark side on us,’ one character says to another who’s under the sway of the enemy. The mythology of Star Wars has presented us with a new verb: ‘to dark side.’ I love it.
Damn! Mulan is thisclose to being not just a brilliant animated film, but a brilliant film, period. It has a dramatic story, a heroine who kicks butt, a villain who kicks butt, a square-jawed hero with a not-so-nice side, and some of the most sweepingly gorgeous visuals since Beauty and the Beast. But Mulan is dragged down by insipid songs that feel tacked on and silly, inappropriate sidekicks and secondary characters.
An enjoyable 90 minutes, but it never approaches the so-beautiful-you-have-to-cry sequences that have become Disney’s trademark.