
Ernest & Celestine review: bear and mouse are friends
Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.

Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.

A leaden, charmless movie that is unable to commit to its own fantasy. So implausible that even Colin Farrell’s own Irish accent sounds fake.

You’ve seen this all before — it’s Toy Story meets The Matrix — just not done in Legos.

It’s alive! In a technical sense: images flicker on the screen, etc. But it is a soulless, unholy monstrosity. Behold: the movie without a protagonist!

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

My favorite of the five films is the British “The Voorman Problem,” starring Martin Freeman and Tom Hollander in a hilarious and provocative bit of speculative fantasy…

This bunch of found footage should have stayed lost.

An airy fairy tale, buoyed by an infectious joy, about the very modern, bittersweetly pragmatic ache that comes with maintaining your soul and integrity as the world falls apart around you.

Sub-vaudeville 1950s sitcom humor and a horrifically dated message about boys as heroes and girls as the heroes’ property. You know, for kids!

Smaug is a magnificent cinematic creation… but there’s no good reason it takes so damn long to get to him.