
Carrie review: women who hate women
I’m struck by the perversity of a story four decades old about religious misogyny and basic feminism and the perniciousness of bullying that still feels fresh and relevant…

I’m struck by the perversity of a story four decades old about religious misogyny and basic feminism and the perniciousness of bullying that still feels fresh and relevant…

The showstopping central musical number is a glorious anthem to female power and ability… and so, in fact, is the whole wonderful movie. Disney is finally getting it. (new DVD/VOD US/Can)

Think heavy-metal Lord of the Rings. With wormholes. It’s completely mad and kind of awesome.

Forget about the socially conscious core that fueled the exploitation engine of the first film. This one is flat-out, no-message action comedy, outrageous and hilarious.

Twists the high-school revenge story into feminist black magic.

A familiar story of sinister creature frights and psychological horror gets a little boost from a gloomy mood of urban decay and isolation.

Elegantly atmospheric indie horror drama plumbs typically unseen depths of children’s coping mechanisms in the face of terrible real-life experience.

The simple elegance of the first film has been lost in a jumbled mess that sometimes hits on fresh angles on ghost stories but most often is shoddy, sloppy, and lazy.

Arbitrary and inconsistent rules of time travel in aid of creepy romantic manipulation and temporal stalking. But hey, at least it’s got Bill Nighy!

Way to give overwrought fan fiction a bad name. No amount of fairy dust can make this bewitching.