The Imaginarium of Doctor Parnassus (review)
Gilliam gamboling freely through the public subconscious just doesn’t work, this time, on any level other than a meta one.
fantasy
Alvin and the Chipmunks: The Squeakquel (review)
When a paralyzed Marine takes part in a daring biological experiment on another planet, he encounters a remarkable alien civilization– No, wait: that’s *Avatar.* This movie is about singing cartoon rodents.
The Princess and the Frog (review)
You know how they say that cops come in only one color, blue? Well, Disney princesses come in only one color: pink.
Alice (review)
More’s the pity that it ends up feeling pointless and empty and humorless, for it starts off rather intriguing, this modern update of Lewis Carroll’s classic novel…
Ninja Assassin (review)
‘Ninja assassin.’ It’s like ‘monster trucks’ and ‘automatic weapons’ and ‘zombie Nazis’: you take two great things that are awesome separately, and then you put ’em together and it becomes like totally mindblowing, dude. Oh not.
Planet 51 (review)
Much of what might have made it appealing to true devotees of science fiction and cinema, like how it’s a pastiche of 1950s B-movies, is lost when its parodying of the paranoia and xenophobia of those films is so relentlessly trite and obvious…
The Twilight Saga: New Moon (review)
Bella Cullen. Mrs. Edward Cullen. Mr. and Mrs. Edward Cullen. Ms. Bella Cullen. Mrs. Jacob Black. Jacob and Bella Black. Mrs. Bella Black. Ms. Bella Swan Black. Mrs. Bella Swan Cullen.
Fantastic Mr. Fox movie review: trip the dark fantastic
Wes Anderson and Noah Baumbach looked at a sweet-and-sour children’s story through a peculiarly skewed eye and said, This can be so much more. And they turned it into something touching and funny, and magically absurd and at the same time pointedly real. They turned it into something genius.
A Christmas Carol (review)
Robert Zemeckis appears to have given up making fantasies for grownups in favor of making theme-park attractions designed to do nothing more than shut the kiddies up for 90 minutes, if they can sit still for that long for the dazzling…
Ong Bak 2: The Beginning (review)
Rewinding to 15th century Thailand, this is the downright Dickensian tale of a royal boy kidnapped by slavers and raised by thieves who grows into a man who vows revenge on everyone who’s wronged him.
