
Songbird movie review: screechingly out of tune
An appalling melange of insipid disaster drama and implausible romance with a bit of dystopian satire thrown in. This is a crass cash-in meant to prey on our pandemic anxieties, not grapple with them.

An appalling melange of insipid disaster drama and implausible romance with a bit of dystopian satire thrown in. This is a crass cash-in meant to prey on our pandemic anxieties, not grapple with them.

Achieves that rare cinematic feat of being specific and universal at the same time. A lovely film, plaintive and poignant, with exquisite performances from a beguiling cast, and ultimately hopeful.

Finds something fresh and gently feminist in the tropes and claptrap of an overbaked genre. Stewart and Davis have terrific chemistry, and the supporting cast of modern legends of funny is to die for.

A triumph. McQueen brings history to life and makes it sing with zest and passion, with a spirit that endures beyond the strife. A celebration of Black joy alongside a raging against Black oppression.

Brings a fundamental new humanity to the story of those who court great danger in order to advance human knowledge. Eva Green is immense. Writer-director Alice Winocour’s compassion is achingly acute.

Apart from the value of its explicatory gloss on anti-feminist Phyllis Schlafly, there is entertaining, gratifying drama in the clash of so many complex feminist women working against her.

A work of breathtaking audacity. This is as perilous as comedy gets, and it’s very, very funny, often shockingly so. Sacha Baron Cohen’s scathing cultural strikes land like extinction-level asteroids.

Enlightening, enraging history of all the ways in which the United States has tried to bar citizens from voting, plus a primer on what Americans can do right now to ensure that our voices are heard.

A winsome Tilda Cobham-Hervey leads a rote rags-to-riches tale, though its rampant sexism is a villain women will recognize. Needs to be seen, even if it’s not quite the tribute Helen Reddy deserves.

I’m obsessed with this British miniseries following one family through a dystopian 2020s. It’s completely harrowing, very nearly soul-crushing. Yet I cling to its tenuous optimism and profound beauty.