A Dog’s Journey movie review: Does the Dog Die? The Movie
Pure rerun of A Dog’s Purpose: Pooch Bailey returns again and again (again) in different bodies to love and serve his humans. A sappy tail, pleasantly daydreamy. I’m not crying you’re crying.
girls/women
Long Shot movie review: not-so-radical romantic agenda
House of Cards as a satirical workplace comedy, with just a touch of rom-com thrown in to render it genuinely sweetly sexy. Theron and Rogen share palpable chemistry, both comic and romantic.
Unicorn Store movie review: a fantastic beast
More movies like this, please: a piquant mix of whimsy and snark; an insistence that it’s not crazy to forge your own oddball path; an embrace of girly uncool. Bring on the weird, difficult women.
Red Joan movie review: it doesn’t bomb, but it fizzles
There’s a lot of hot-button stuff going on in this A-bomb spy drama — politics, sexism, scientific ethics — but it’s all surprisingly inert, given the literal fate-of-the-world stakes.
Be Natural: The Untold Story of Alice Guy-Blaché documentary review: the movie pioneer you’ve never heard of
Not only a portrait of the woman who made more than a thousand of the very first films, but a mystery detective story about how the achievements of a trailblazing woman were erased, and found again.
Nervous Translation movie review: home alone, with only her imagination for company
Shireen Seno’s portrait of a remarkably imaginative and self-contained child at a specifically 1980s Filipino moment is full of both charming whimsy and a delicately observed, melancholy universality.
Wild Nights with Emily movie review: the poetess with the mostest
Like Drunk History but sober, a lively, arch, dryly comedic corrective to the traditional, heteronormative, patriarchal image of Emily Dickinson. Incredibly audacious and utterly delightful.
Blowin’ Up documentary review: women getting shit done
A fly-on-the-wall peek into a court in New York City where women work to help other women with realistic solutions to complicated problems. A wonderful ode to creative and compassionate thinking.
Dumbo (2019) movie review: you will not believe an elephant can fly
The most soulless of the live-action Disney remakes yet, weighted down by too many blah characters, too much convoluted plot, unconvincing CGI, and a message that doesn’t say what it thinks it does.
Out of Blue movie review: murder most muted
A limp noodle of a cinematic noir that drains Patricia Clarkson of her usual eccentric charisma. And where it aims for intriguingly oblique pseudoscientific philosophizing, it ends up merely obtuse.
