
The Hunting Ground documentary review: why you have no idea how bad rape is on campus
U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…

U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…

A portrait of grief that borrows the conventions of romantic comedies. There may not be a lot of passion here, but there is plenty of pleasant zing.

Enchanting, startling; a rare story about a girl at a precarious age. Full of that exquisite Studio Ghibli sorcery that captures the beauty of the ordinary.

Amenábar aims for a noirish X-Files vibe, but preposterousness rules this inert trudge that does absolutely no justice to a terrible real-life phenomenon.

“A Girl in the River” masterfully portrays a culture that justifies killing women, its rage subsumed by a dispiriting account of how its customs are perpetuated.

The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.

Lazy and trite, with a passive protagonist. It’s as if no one here understands the appeal of the postapocalyptic YA genre it is attempting to piggyback on.

Utterly implausible on every level, and ultimately rather insulting: a bit of glitter and lots of hugs are the sum total of its “girl power.”

Flawless in every way: sumptuous visually and emotionally. One of the more mature and sophisticated romances the big screen has ever seen.