
Murder on the Orient Express movie review: strangers on a train
Doubly dated, lacking in humor and subtext, its impressive cast deliberately underutilized, this is little more than an exercise in gorgeous production design.

Doubly dated, lacking in humor and subtext, its impressive cast deliberately underutilized, this is little more than an exercise in gorgeous production design.

Quick takes from the now-wrapped 61st London Film Festival.

Audacious, outrageous, bleakly funny. Not since Charlie Chaplin sent up Hitler and invited us to laugh at terrible reality has there been a movie like this.

A sweet, romantic story about the polyamorous triad that created a beloved superhero… and about the power of comic books to speak to our inner lives.

A romance and a real-life adventure, full of life-and-death peril and unexpected cheerful good humor, about a pioneer in disability rights and dignity.

Quick takes from the 25th Raindance Film Festival, with public screenings in London through October 1st, 2017.

Style and humor galore, and a hugely entertaining performance from Tom Cruise. But should a true story of immense governmental corruption be quite this fun?

An essential history lesson with a smart smack of relevance for today (because feminism always has to be relitigated). It’s also warm, funny, and hugely entertaining.

Charming based-on-fact British costume dramedy gently snarks about power and propriety but cuts a lot deeper when it comes to bigotry and bootlicking.

The Goonies, Stand by Me, and Poltergeist went into a blender with a pinch of E.T. and John Hughes to smush into a mess of retro 80s mush.