Flags of Our Fathers (review)

Half bitter and harsh, half propagandistic and hagiographic, this is the love child of ‘Saving Private Ryan’ and ‘Pearl Harbor,’ too sentimental to be intellectually satisfying but too tart to serve as melodrama.

Flyboys (review)

Oh, those rickety biplanes, all canvas and wood and held together by spit and a prayer, come taxiing out of the early morning fog and there’s the sad tin whistle music and the eager young men jumping to get up in the air and get themselves killed, and I’m a basket case from the get-go, all tears and sobby and having just the best time I can have at the movies: I. Am. Moved.

King Kong (2005) (review)

Words like ‘meditation’ and ‘contemplation’ may seem inappropriate, at first glance, because the standard hack-movie-critic phrases like ‘roller-coaster ride’ followed by multiple exclamation points don’t even come close to doing justice to the heart-revving adrenaline rush Jackson has crafted. Two words: dino stampede. I probably should have put my head down between my knees and taken a series of long, deep breaths to recover from that early Skull Island setpiece, except it would have meant taking my eyes from the screen, and there was no way in hell I could have done that.