
Crimson Peak movie review: humorous gruesome
A deliciously creepy haunted-house story. Oozes eldritch atmosphere yet plays with our genre expectations in ways that make it as funny as it is scary.

A deliciously creepy haunted-house story. Oozes eldritch atmosphere yet plays with our genre expectations in ways that make it as funny as it is scary.

Blue Ruin’s Jeremy Saulnier is back with a smart, savage, dryly funny horror flick that has something to say about all-too-human monsters. No spoilers!

I wish I could have stopped the film — numerous times — simply to give myself a chance to step back from an emotional precipice of horror and tension.

Over the river and through the woods to yet another banal, anticlimactic attempt at storytelling from M. Night Shyamalan. And this time, it’s found-footage.

Disjointed, incohesive, and psychologically ridiculous. And actually repulsive on multiple levels in ways that the first film was not.

This “homage” to 80s sci-fi/horror is a cheerless amalgam of The Thing and Alien populated by improbable characters behaving in unlikely ways.

Unpleasant characters do things that make no sense in “found footage” clearly edited together from multiple sources. Negligent storytelling at its worst.

More standard horror flick, if elegantly presented, than the thoughtful science fiction drama it thinks it is.

Admirable but not very engaging SF drama that either fails to recognize the potential of its central conceit, or else is too afraid to confront it head-on.

This is a remarkably inert movie: unscary, unexciting, and so obvious that it announces how obvious it is going to be in advance.