Cat Person movie review: her too
The cringe of modern relationships stinks up this antiromance. Its bald truths, all but ignored in pop culture, about how women navigate romantic and sexual relationships with men, demand to be heard.
horror
My Animal movie review: out of the wilderness (and into a bigger one)
A mysterious, mournful film about proscribed teenaged-girlhood and feral female sexuality. There’s nothing entirely original here, but what it has to say, it says with enormous confidence and panache.
Renfield movie review: it mostly sucks
Nicholas Hoult is lovely. Hammy Nicolas Cage is amusing. But everyone in this movie is in a different movie; the tonal mismatches are baffling. Was it the first draft of this script that was greenlit?
The Pope’s Exorcist movie review: ham and cheese on why?
More of the same old religious-horror hoohah, plus Russell Crowe hamming it up, complete with terrible Italian accent. Its only twist on the usual exorcist-movie nonsense is genuinely pretty appalling.
Knock at the Cabin movie review: there appears to be an apocalypse happening
There is only one thing worse than an M. Night Shyamalan movie with a twist ending. And that is one without a twist ending. Feels like a faith-based movie trying to sneak in under a disingenuous wire.
Violent Night movie review: ho ho holy shit
Many movies have attempted to replicate the festive insouciant brutality of Die Hard. No movie has come closer to this lofty goal than this dementedly delicious nightmare before Christmas.
Beast (2022) movie review: he fights the lion
Idris Elba fights a lion. This is what we are promised and this is what we get. The purity is sort of beautiful. But is it a failure of the movie, or a success, that it treats such nonsense earnestly?
Nope movie review: are we not entertained?
There are delicious popcorn-movie vibes and horrors galore, both funny-suspenseful and stone-cold bone-chilling. But most intriguing is the twistiness of how the movie grapples with its own existence.
Orphan: First Kill movie review: not-so-little girl lost
The rare sequel better than the original, but that’s not saying much. Takes too long to get to its surprises, its adult star is unconvincing as a child, and its minimal cleverness feels like a cheat.
Men movie review: if it walks like misogyny and squawks like misogyny…
A “critique” of misogyny that is outright misogynist, even before it goes down a gorefest rabbit hole of infuriating contempt for women. What the hell is going on with this would-be-mythic mishmash?
