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Why do slasher movies make us laugh in the instant after we jump and scream? When comedy works, it’s for the same reason that horror does: It surprises us, and laughter and screams emanate from that same primitive lizard part of our brains, one that reacts before we can think.
Bruce Campbell makes me laugh just looking at him. Just thinking about him. But I never thought he’d almost make me cry. And I certainly never thought he’d almost make me cry in a movie called Bubba Ho-Tep.
It sends a shiver up my spine just thinking about the movie now, even as I gaze out the window onto a gorgeous, happy, sunshiny day. It’ll be great when this one finally comes out on DVD, cuz then I’ll be able to curl up on the couch in the middle of the night wrapped in an old afghan for protection and give myself the wild heebie-jeebies watching it.
Please don’t write into tell me how sophisticated Halloween actually is, because that’s a symptom of my third point, which is that I suspect the Halloween movies are like the Star Wars movies, in that the most fun thing about them isn’t what’s actually onscreen but the fannish discussions that happen offscreen about the interrelations between characters and the interconnections between events that loop through the entire series of films.
Donnie Darko in, in fact, what Ferris Bueller’s Day Off might have been if David Lynch had ever gotten his hands on it, a daring, disturbing, visionary debut from 26-year-old writer/director Richard Kelly.
This is classy gothic horror, old-fashioned in the best way: there are no CGI specters, just mysterious footsteps and distant cries and movement in the shadows and hushed whispers and slamming doors.
Isla Sorna has become something of an attractive nuisance these days. Never mind that InGen’s real-life monster island is surrounded by restricted airspace and that travel to it is absolutely forbidden. Never mind that it’s common knowledge that people have been eaten there. Does this stop adventurous types from trying to catch a glimpse of an honest-to-goodness genetically engineered freak dinosaur? Of course not. InGen’s legal budget must require advanced mathematics to grasp.
It upset me tremendously, and disturbed me and moved me. The film does what truly great science fiction does, which is get to think about what it means to be human. So I’m having a bit of an identity crisis, I think, an identity crisis on behalf of the entire species homo sapien.
What if the dude who played Nosferatu in that great old 1922 silent German horror movie was actually really a vampire? Cool.
Do screenwriters bother with characterization or motive for Old Scratch? Rarely — the Prince of Darkness is supposed to just coast on his rep as the Ultimate Bad Dude, and yet those selfsame screenwriters must, by storytelling necessity, declaw him, prevent him from taking full advantage of the hellish forces at his command.
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