Pilgrimage movie review: faith in a time of weaponized religion
Moody, atmospheric, even beautiful in its grimness; a medieval adventure unlike any we’ve seen before, with a sharp attention to psychological and moral realism.
on the road
The Hitman’s Bodyguard movie review: protection racket
Reluctant-buddy action comedy feels like unfunny, warmed-over ’90s leftovers. Ryan Reynolds and Samuel L. Jackson look like they’d rather be elsewhere.
Clash (Eshtebak) movie review: the view from inside social upheaval
Challenging and provocative, but the limitations it places on itself restrict the appreciation for anyone not already steeped in its culture and politics.
Letters from Baghdad documentary review: Gertrude Bell, the original Lawrence of Arabia
One of the most cinematically beautiful documentaries ever is a phenomenal portrait of a shamefully forgotten woman who helped shape political history.
The Lost City of Z movie review: archaeology was his religion
An adventure of the intellect and of the heart with the real-life explorer who inspired Indiana Jones, one more about the journey than the destination.
Smurfs: The Lost Village movie review: how do you solve a problem like Smurfette?
An adventure crammed with junky slapstick and garish animation that seems to believe it is feminist, but only doubles down on Smurfily regressive notions of gender.
Mean Dreams movie review: Paxton et justitia
Tepid teen romance turned implausible thriller is just about saved by a powerful, and unusually disturbing, performance from Bill Paxton (one of his last).
Logan movie review: wounded Wolverine, dangerous beast
The X-Men series — the entire superhero genre — has never seen a film like Logan before: raw, rageful, tormented, human. Best of the series yet.
Oscar Nominated Animated Shorts (89th Academy Awards) review
My pick: “Pearl,” blending new VR tech with old-fashioned characters and emotions, demonstrating storytelling possibilities that are beginning to open up.
Oscar Nominated Documentary Shorts (89th Academy Awards) review
I would give the Oscar in a three-way tie to the Syrian-themed nominees, which offer stunningly intimate observations on the ongoing humanitarian crisis.
