Shepherd movie review: gothic shaggy dog
Elegantly gloomy but ultimately unsatisfying gothic rural horror that is all too-static mood. Tom Hughes makes a valiant go of a descent into madness, but the character is little more than his misery.
reviews by genre
classic film virgin: The Outsiders: The Complete Novel (4K restoration)
The deep, honest emotion undercutting the performative toxic masculinity of these young men is beyond charming and vitally essential, but the melodramatic randomness of the plot ultimately lost me.
Dune movie review: dreams of alien worlds
Monumental. Villeneuve tells a familiar story with uncommon elegance and pensiveness, even dreaminess, on a breathtaking scale. A stunningly gorgeous, supremely dignified movie about ugly things.
Cop Secret movie review: cold fuzz (LFF 2021)
Absolutely hilarious Icelandic sendup of action buddy cop movies. Knowing, sneaky, and deliciously deadpan, upending toxic masculinity and elevating the usual subtext of the genre to the overt text.
No Time to Die movie review: no, Mr Bond, I expect you to retire
In the era of COVID and Brexit, much of this overstuffed adventure feels redundant, farcical, inconsequential, and desperate. But Ana de Armas and Lashana Lynch show us the way to a future for 007.
Censor movie review: the horror of the persistence of memory
Ambiguous, introspective, thoughtful. As weirdly uncomfortable as horror should be, and rarely is, as it examines how these movies can infect us. Niamh Algar is terrific, and deeply empathetic.
The Many Saints of Newark movie review: far from heaven
The performances are terrific, the evocation of the period striking, but it feels redundant, more GoodFellas-lite than The Sopranos, and with several TV seasons’ worth of story crammed in.
The Card Counter movie review: unnatural stillness at the center of the storm
Grim, mysterious, and unsettling, never more so than when it is quiet and still. But a brutality lurks below its calm, slick surface. Oscar Isaac’s performance is a work of astonishing minimalism.
Copilot movie review: how love warps women’s lives
Tragic anti-romance uses cinematic conventions and the presumptions of fiction to disorient us. Bursts the bubble of a certain kind of movie delusion to highlight a harsh reality of women’s lives.
Cinderella (2021) movie review: from the ashes…
Fairy tale goes jukebox musical with a feminist, gender-fluid spin. Throws irony and sarcasm at heterosexuality, patriarchy, even monarchy. Pretty darn fun, with a sweetly spunky Ella in Cabello.
