Killing Bono (review)

In Dublin in the late 1970s, a bunch of guys who fancied being rock stars even though they couldn’t play a lick of music formed two bands that developed a friendly rivalry. One of those bands went on to become U2. This is the story of the other band.

Mars Needs Moms (review)

Do kids really need to be reminded — in IMAX 3D! — that Mom loves you and has your best interests at heart when she tells you to eat your broccoli and gets mad when you feed it to the cat instead? I guess someone at Disney figured this was the case.

Blooded (review)

First-time feature filmmakers director Edward Boase and screenwriter James Walker want you know right off the bat that Blooded is not a “mockumentary.” But it is a fictional story told in an expansive documentary format — complete with “reenactments” of “real” events — that lends a powerful urgency and immediacy and relevance to an invented story in a way that a more narrative structure would have missed.

Source Code (review)

If you haven’t already seen 2009’s Moon, I beg you to do so before you see Source Code, which will put you off director Duncan Jones, which wouldn’t be fair to you, to Jones, or to Moon.

Pushing the Elephant (review)

This simple, stunning portrait of the strength and commitment of Rose Mapendo — survivor of ethnic cleansing and humanitarian worker — is no dry discourse on the tough, demanding work of humanitarianism. It is a deeply moving look at the real toll such work has had on one woman’s life…

Sucker Punch (review)

This SUCKER PUNCH from my man Zack Snyder is just like so totally fukkin awesome I dont even know where to start. Who the fuk wants to watch fukkin hobbits gettin all weepy and shit get to the part where we get to see orcs vomittin black blood when there heads get loped off and shit. And its all in the fukkin slomo shit where you can like really savor that shit and make it last. Thats what SUCKER PUNCH is just one long aaaaahhhh of awesomeness.

The Eagle (review)

Lunkhead Channing Tatum as a soldier in Roman-era Britain? Must be processed Hollywood cheese, and hence hootingly entertaining, right? But Tatum acquits himself admirably here, in a film that clearly intends to ensure Hollywood cheese is the last thing that comes to mind…

The Concert (review)

This is how you get your arthouse-averse friends to watch a foreign fil-um: show them The Concert. Yes, they’ll have to read subtitles, but it is just simply crammed with so much Hollywood feel-good that a studio remake is surely just around the corner, probably starring Reese Witherspoon with a French accent and Stanley Tucci pulling a Russian one.

The Lincoln Lawyer (review)

Josh Lucas and Matthew McConaughey have never actually appeared onscreen together before. It had been entirely possible, up till this moment, that they were the same person, in a Jekyll-and-Hyde sort of way. Would this be how the universe ends, with parallel-universe versions of the same actor causing all of infinity to collapse into some hellish singularity?