
Clash (Eshtebak) movie review: the view from inside social upheaval
Challenging and provocative, but the limitations it places on itself restrict the appreciation for anyone not already steeped in its culture and politics.

Challenging and provocative, but the limitations it places on itself restrict the appreciation for anyone not already steeped in its culture and politics.

One of the most cinematically beautiful documentaries ever is a phenomenal portrait of a shamefully forgotten woman who helped shape political history.

A gripping précis of what Edward Snowden learned at the CIA and NSA, why he went public, and why it matters. Entertaining yet also deeply unsettling.

Snappy, snappish historical drama about the partition of India rings with sly humor, dry cynicism, and a smack of relevance for today’s divisive politics.

Unfocused like a 1970s cast-of-thousands disaster flick, and with little point beyond engaging in bland and easy propagandistic cheering. Boston deserves better.

I would give the Oscar in a three-way tie to the Syrian-themed nominees, which offer stunningly intimate observations on the ongoing humanitarian crisis.

Shocking, essential documentary looks at the shameful and avoidable failure of the NSA to prevent 9/11. All Americans (and everyone else) should see this film.

This sad mess of a vaguely sci-fi coming-of-age tale seemingly could not be more plugged into current fears, and yet it feels utterly irrelevant.

Fascinating and horrifying. A gripping detective story and an impassioned call for public debate over terrifying weapons that have already been loosed.

This overlong, underpowered tale of Christian martyrdom, in which iconography and allusion stand in for character, is a challenge to even the Scorsese faithful.