handcrafted by maryann johanson (human) | 100% free of AIs and algorithms
Classic comic-book stuff made fresh by drawing on underexplored mythologies and cultures, yet still deeply resonant and deeply universal. An exhilarating pulp-fiction dream that ups the ante on the Marvel Cinematic Universe.
Style and humor galore, and a hugely entertaining performance from Tom Cruise. But should a true story of immense governmental corruption be quite this fun?
Save us from male artists who think they are dangerously, uniquely innovative. This stew of toxic masculinity and CGI-cartoon violence is nothing but tediously mundane.
It’s tormented hotheads all around with a hero and villain who are almost indistinguishable and same-old spy stuff racing to a seen-it, been-there ticking-clock finale.
The living, breathing, bleeding life of the breathtaking fight scenes cannot overcome confusingly twisty spy intrigue and multiple male gazes on the story.
There is barely an original thought in this wackadoodle sci-fi panto, just a lot of tiresome passé attitudes skidding among bug-eyed-monster set dressing.
This would-be faux-70s paranoid thriller piles on too-obvious intrigue and embarrassing clichés, and lacks suspense, thrills, and a protagonist to care about.
There’s stuff in this spy thriller that’s fresh, and lots that’s familiar, but Noomi Rapace using her brains and brawn to fight bad guys is a genuine thrill.
This may be Werner Herzog’s most conventional film, but its mostly untold true story knows what it means for a woman to choose a life of adventure and intellect.
A gripping précis of what Edward Snowden learned at the CIA and NSA, why he went public, and why it matters. Entertaining yet also deeply unsettling.
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