
Jack Ryan: Shadow Recruit review: CIA you again
Why reboot remains a question, but this is a smart popcorn thriller with a surprisingly sensitive performance by Chris Pine, and a wonderfully badass one by Kevin Costner.

Why reboot remains a question, but this is a smart popcorn thriller with a surprisingly sensitive performance by Chris Pine, and a wonderfully badass one by Kevin Costner.

Eric Bana and Rebecca Hall are as engaging as ever, and the film raises intriguing issues concerning the “War on Terror”; pity the plot descends into the ridiculous.

Forget about the socially conscious core that fueled the exploitation engine of the first film. This one is flat-out, no-message action comedy, outrageous and hilarious.

Smart, breezy spy action, with an of-the-moment vibe that takes it post-post-9/11 and into the Wikileaks era of global politics.

In an almost terrifying reversal from the first film, this is crude, racist, and sexist, in entirely well-worn ways. (But the Minions are still funny.)

Brit Marling never knows what to do with her great ideas. She runs them right up to a moment when all that electric potential zaps itself out of existence in a flash.

The Oscar-nominated documentary in which the six living former heads of Israel’s ultrasecretive domestic security agency talk about their antiterrorism work…
Bland generic action pudding that manages to be sociopathic, too.

If only this were a wholly fictional story, I could get behind it 100 percent, instead of the 95 percent I can give.

What we witness here is the destruction of the old Bond mystique, and the creation of a new one. This is the sneaky cleverness of the film: it is, at last, going to tell us why Bond still matters.