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I was literally in tears for parts of Argo, a purely physical reaction, not an emotional one, to deal with the tension. The only other option would have been to moan out loud, the film is almost that unbearably nerve-wracking.
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This is Bourne fan fiction. But it’s the rare sort of good fanfic: utterly inconsequential, of course, but a whole lotta fun. It’s a turn-your-brain-off popcorn flick for people who don’t like to turn our brains off just because we’re at The Movies.
How many superheroes spoil the broth? More than six, apparently, at least when Joss Whedon is wrangling them.
I’d call this How to Lose a Spy in 10 Days, except all along I was rooting for nothing but for Reese Witherspoon to dump both Tom Hardy and Chris Pine…
Oo oo oo, it’s CIA action porn when Safe House finally gets going, all mysterious black SUVs and “kill the surveillance cameras” and stoic badassery all round…
There’s a lot of fight in Haywire, but very little punch — it starts to feel very grim and plodding…
The most fun straight-up action movie in ages: while it touches on concerns about terrorism and rogue nukes, there’s nothing too heavy. But what makes it so special is how up-close and personal it is.
It is leaden where it should be light. It is graceless and charmless. It reels from the painful banter. It is the epitome of empty soulless corporate filmmaking.
Shockingly, this is the rare sequel that improves on the original. Granted, that wasn’t hard, in this case, but neither is saying this damning with faint praise.
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