suspense/thriller

Mission: Impossible 2 and Shanghai Noon (review)

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Can it be a coincidence that both of the big new flicks this Memorial Day weekend — the kickoff for Hollywood’s first summer movie season of the twenty-first century — are basically Hong Kong action movies? The people who think about these kinds of things — current-events journalists, mainly — have already predicted that if the 1900s were the American century, the 2000s may well be the Asian century… but they were speaking economically and politically. I guess it’s probably inevitable that Asia would start to hold some cultural sway in the West, too.

The Omega Code (review)

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Maybe you’ve heard of The Omega Code. This is the ‘Christian thriller’ that shocked Hollywood last year by breaking into the box office top 10, if only momentarily, playing on only a handful screens across the Bible Belt. Why Hollywood was shocked is a bit of a mystery: The independently produced The Omega Code is illogical, anti-intellectual, tedious, and absurd, but no more so than any given Adam Sandler movie. Why should religious folks be any more discriminating than the vast secular majority? A real shock would be if, say, The Insider was such a blockbuster that Mattel cashed in with Jeffrey Wigand inaction figures.

Mission to Mars (review)

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So how else can I react to Mission to Mars but with enthusiasm? Here is a mostly scientifically accurate movie about the planet that actually looks as if it were filmed there. No, it’s not a perfect film — but as one of the like-minded friends with whom I saw Mission to Mars pointed out, we’re so hungry for real science fiction on film that we can forgive its flaws.

The Sixth Sense (review)

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So while I am both a bit dismayed and smugly satisfied to report that yes, I was correct in guessing what The Sixth Sense’s big twist is (I won’t reveal it here!), I am overjoyed to report that not only is there much more to this film that just its twist, watching the film with full knowledge of its big secret adds new layers to enjoy.

The Blair Witch Project (review)

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For the glut of Summer 2000 bombs, we can blame Daniel Myrick and Eduardo Sanchez for being creative and inventive enough to knock Hollywood on its ass this summer with The Blair Witch Project, any deficiencies in which are more than amply made up for by its daring.

The Silence of the Lambs (review)

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The Silence of the Lambs is a psychological thriller of the highest order, and well deserving of the unusual Oscar nod for Best Picture, never before bestowed upon a film like this. Before or since, action/horror has never been done so well or so cerebrally.

The Sting (review)

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The Sting is pretty universally acknowledged as one of the best films ever made. From the flawless performances all round to the clever script, this is movie magic that approaches a kind of wizardry. Not a note is out of place — every line, every scene builds on what’s come before until it ends so breathlessly and abruptly that it leaves you astounded at its audacity. Lonnegan’s not the only one who gets conned; writer David S. Ward and director George Roy Hill sting the viewer, too. This is just about as perfect as movies come.

The French Connection (review)

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The French Connection is Patient Zero in Hollywood’s epidemic of blood, guts, and mayhem, the Typhoid Mary that spread gunplay, car chases, and psychotic cops throughout filmdom. Like Typhoid Mary, though, The French Connection has only a mild, nonfatal case of the sickness that continues to rage through movies. This film demonstrates how smart action movies can be, and points out how dumbed down most of them have gotten.