The deep, honest emotion undercutting the performative toxic masculinity of these young men is beyond charming and vitally essential, but the melodramatic randomness of the plot ultimately lost me.
Quietly chilling. A condemnation of supposed propriety over genuine decency, and the sacrifice of children to the illusion of communal cohesion. There are no easy answers here, and no pat resolutions.
Pure joy. It is singing and dancing, life and love, food and family, heritage and community in all its complexity. Harnesses Golden Age Hollywood verve and style in breathtaking, enrapturing ways.
An extraordinary cinematic experience that immerses us into the personal landscapes of profoundly autistic, nonverbal young people. The empathy it engenders is deeply felt and enormously eye-opening.
As stuffed with soap-opera clichés as its cinematic precursors, but this is nevertheless a solid and diverting rescue procedural… and it’s somehow even more shocking for how mundane its disaster is.
The Disney paradigm is hard at play again here, its familiarity offset by its inspiration in Southeast Asian culture and mythology. Sweepingly told, gorgeously animated, and audaciously optimistic.
A fictional version of a story we know in the abstract, told with hushed reserve and brutal unsentimentality. An incisive, nontitillating female gaze on sexual abuse that never sensationalizes horror.
Sarah Pirozek weaves an elegant, noirish tragedy on a micro budget, but it’s far more effective as a portrait of the miserable discomposure of modern teen life than as a feminist vigilante thriller.
Offbeat portrait of an unconventional girl is all over the place, sometimes detouring into the cringeworthy, as it tries to depict the emotional familial confusion its tween protagonist is navigating.
Acceptably inoffensive, if less than wholly engaging. At least Liu’s strong, stately Mulan is a wonderful role model for girls who aren’t much interested in conformity and adhering to expectations.