Pariah (review)
Writer-director Dee Rees, in an assured feature debut, expands on her award-winning 2007 short of the same name to tell a story all but ignored in pop culture: the coming out of a black teen lesbian.
Writer-director Dee Rees, in an assured feature debut, expands on her award-winning 2007 short of the same name to tell a story all but ignored in pop culture: the coming out of a black teen lesbian.
The superhero origin story we have become so very familiar with in its purest form, stripped of all the pulp and all the camp that has accreted around the genre.
What are you doing New Year’s eve? Not seeing this cheap, lazy excuse for a movie, I hope…
The story of the killers… but not in any way that you’ve ever seen a tale of serial murder told before.
It. Is. So. Romantic! I could almost die. Just like Bella does here. Almost die, I mean. Because that’s what you do for love.
Crams the “quirky” back into the please-god-kill-me-and-save-me-from-yet-another-ridiculous-teen-romance.
I wish I could say I didn’t know why anyone would bother xeroxing a nearly 30-year-old movie, but I do know why. And it ain’t pretty.
I’m so excited cuz it’s like Taylor Lautner made a movie just for Team Jacob! Except he’s not a werewolf or anything silly or fantasy like that — he’s a real teenager with real problems. Like being the secret child of top international spies.
Let me get this straight: we’re supposed to cheer on a spoiled, overprivileged private-school brat when he gets coddled and overindulged yet again?

It’s a rare thing, but sometimes digging up the past and giving it another spin is a good thing.