The Holiday (review)
“You look like my Barbie doll,” a little girl tells Cameron Diaz. Bingo!
“You look like my Barbie doll,” a little girl tells Cameron Diaz. Bingo!

I still can’t get my head around how profoundly awed and moved and overwhelmed and terrorized and rejuvenated I am by this movie.

Oh, it’s totally a chick flick: there’s all sorts of stuff about shoes, and there will be some happy tears at the end. But it’s the good kind of chick flick, about real women with real problems that other real women can identify with.
Well, hooray for a movie about girls doing their own thing. Too bad it’s more like a training-bra of a flick designed to indoctrinate tweens with the estrogen-drenched sappiness of “women’s pop culture” — you know, like Oprah magazine and Lifetime Original movies and Celine Dion ballads — than a story that deals with the … more…

Nora Ephron’s delightful film is perhaps the epitome of the modern romantic comedy to which many a movie has aspired and few have even approached in its warmth, naturalness, and genuine spirit of amour.

Oh, great day in the glorious sunshiny Tuscany morning! A movie about a woman that actual women will be able to identify with, one that’s fantastical enough to be diverting and down-to-earth enough to let us recognize ourselves in it.
It’s completely predictable and predictably feel-good, but so damn what? This is an utterly delightful flick, not for the least which reason is that it’s about complex, engaging, and realistically flawed young women devoting their lives to something more ambitious than chasing boys and buying cosmetics. London teenage Jesminder (Parminder K. Nagra) lives in a … more…

Romantic comedies aren’t supposed to be about suspense…

May it please the court, the evidence will show that the defendant Elle Woods, in the person of Reese Witherspoon, is not the dumb blonde bunny of which she is accused of being. Further, your honor, the evidence will show that just because the movie my client is associated with is silly doesn’t mean it doesn’t have something smart to say.

So wonderful and so rare a film, gentle and warmly humanistic, about two people falling in love depicted plainly, honestly, and — in a way that often eludes Hollywood — with amiable realism.